By Roderick Graham
In line with modern records and histories, Roderick Graham paints a special photo of Mary that sees her neither as a Catholic martyr, nor as a husband-murdering adulteress, yet as a tender woman adrift within the risky seas of sixteenth-century politics. Mary Stuart had not one of the ruthlessness of her modern sisters, and the feminine empowerment of Catherine de Medici, Diane de Poitiers or Elizabeth Tudor handed her by way of. In an age of intellectually tremendous and robust ladies, Mary trusted her attractiveness and style rather than cause and backbone. Passively and gracefully, she allowed occasions to overhaul her as injuries and whilst she did try and keep watch over her destiny she unwittingly set in a teach of occasions that might lead her to the executioner's block.
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Additional resources for An Accidental Tragedy: The Life Of Mary Queen Of Scots
Bkncn~~znnci, arri-vlng at Genoa early on the morn,ing of the fifth. The next day he was at Naples, whiCh he later claimed he hated, though he stayed there at the Pensione Marcini Partinope for six days. Leaviing Nqles at midnight, tbere was not even a day's stay in Rome to break the trip to Florence, where he put bimseff up at the Pensione Constantin on the Via Sc~Eerinok ~ ar nincday stop. , in that amount of time, he was able to go to the Uf&~i;see the Rotticeuis, the Raphaels, thc Z'intorettos; and perhqs even visit the map room, g i x n his childhod interest in maps.
Skolle aslced Evans, if possible, to send him Rench books (with iuustsadons) on Modigliani and Gaupin. It woutd have heen understandable if Evans, in his bleak mood, felt even w r s e hearing about his friend's refendess ac-rivities. " &at in his depressed state he had destt-oyed nil his manuscdpts. Skolle answered with solne seriousness: ""Tear you. made a deplorable misrake in destroying all your writing. Wby incapacitate yourselA Especially when there is no immediate substance to take the place of the destroyed m a ~ e r ?
There is something to discover. Ithink you do. Death is sonzethilag yozk see. The notations of ""sol;imde," "bitterness," ""hatred and shame," mnxnning like a leitmotif through Evans's one-page European list suggest &at the down spells were recurrent and even perhaps drastic, His initid hopes for writing masrerpieces appea to have been stalled, Yeas later he confessed that he had suffered from a serious case ofwriter's block: "You see 18 done a lot of reading m d X h e w what writing was. " But it must have been somet%lingmore than writer's bhlock that had aEected him.
An Accidental Tragedy: The Life Of Mary Queen Of Scots by Roderick Graham